以下参考译文使用的是机器翻译，因此可能不完全准确
佛得街9号（今天的Gheorghe Manu街）的房屋始建于1911年至1923年，由Tațiana Niculescu-Dorobanțu发起。塔尼安娜（Italy I. Niculescu-Dorobanțu）（1873-1943年）的自由女神和伊尔福夫（Ilfov）州长伊妮娅·尼库列斯库（Ilie I. Niculescu-Dorobanțu）（1873-1943年）婚后，塔西娅（Tațiana）离子C.布勒纽努（Ion C.Brătianu）（1870-1940）的四个女儿之一。通过它们的属性，还将具有靠近布加勒斯特的达尔瓦里庄园的特色。
由建筑师Grigore Cerchez（Cerkez）设计的计划指定了“一栋2层，3层和4层，厚重的墙壁，铺有瓷砖的建筑物”，占地668,29平方米。 Tațiana在1910年5月9日给当时在巴黎的姐姐MăriuţaPillat的信中坦言：“我相信我们将拥有一间真正美丽的豪宅，路易十二风格，带有雕刻的石材和裸露的饰面”。 1913年9月25日，塔亚娜（Taţiana）在法国，写信给萨宾娜·坎塔库兹诺（Sabina Cantacuzino）：“我什至没有提到卢瓦尔河上的城堡，我为如此美丽而感到惊讶，并为自己意识到，如果不与之相提并论，我的房子是美丽。不幸的是，狭窄的街道使宫殿显得拥挤。”为了装饰内部，Tațiana从巴黎和慕尼黑的古董店中选择了罗马尼亚的传统艺术品和艺术品。她从西班牙带来了家具和挂毯。她希望一切都完美无缺，并告诉亲密的朋友：“我只会在家具齐全的房间给您看这个房间。”
气势宏伟的建筑具有哥特式大教堂的魅力，具有精美的建筑和装饰元素：暴露的砖砌立面（呈红色的几种阴影），塔楼的轮廓，入口，气势雄伟的窗户以及新哥特式雕刻的石材时尚，檐口，石像鬼，彩色玻璃窗和标记外部和内部的尖拱门。
Ilie I. Niculescu-Dorobanțu在遗嘱中将建筑物捐赠给Ion C.Brătianu设施，前提是该博物馆成为“ Ilie，Tațiana和Ion Niculescu-Dorobanțu”博物馆。在1948年至1957年之间，这座房子接待了工业部长的员工食堂。 1956年，在历史古迹方向的压力下，该建筑被视为“从建筑角度来看，是首都最有价值的建筑之一”，被归为文化和教育部遗产的一部分，正在进行合并工作。从1958年开始，它就接待了300名学生，担任舞蹈技术学校。
如今，这座令人印象深刻的哥特复兴式住宅建成后已经有一个多世纪的历史了，它保持着神秘的魅力，其壮观的尺寸和独特的建筑细节由罗马尼亚最重要的一位建筑师精心打造，吸引了路人。
资料来源：
西米娜·斯坦（Simina Stan），“ Reședința Ilie I. Niculescu-Dorobanțu，纪念碑古迹”，伊维斯塔·阿基特图拉，尤利叶2015年
纳西斯·多林离子（Narcis Dorin Ion），《世界回忆录– București》，编辑。罗马文化学院，布克雷蒂（București），2012年
The palace at 9 Verde Street (today Gheorghe Manu street) was built between 1911 and 1923, initiated by Tațiana Niculescu-Dorobanțu. One of the four daughters of Ion C. Brătianu, Tațiana (1870-1940) married in 1900 Ilie I. Niculescu-Dorobanțu (1873-1943), liberal political figure and prefect of Ilfov. Through their properties will also feature the Darvari manor, close to Bucharest.
The plans designed by architect Grigore Cerchez (Cerkez) specified „a building with 2, 3 and 4 levels, massive walls, covered with tiles”, occupying 668,29 square meters. In a letter from 9th of May 1910 addressed to her sister Măriuţa Pillat, then in Paris, Tațiana confessed: „I believe we will have a truly beautiful mansion, Louis XII style, with carved stone and exposed brique”. On 25 September 1913, Taţiana was in France, writing to Sabina Cantacuzino: „The castles on Loire I am not even mentioning, I am amazed by so much beauty and very proud to realize that, without possible comparation to these, my house is very beautiful. Unfortunately, the narrow street makes the palace look crammed.” To furnish the interior, Tațiana chose Romanian traditional art objects and pieces from Antique shops in Paris and Munich. From Spain she brought furniture and tapestries. She wanted everything to be perfect and told her close friends: „I will show you this room only when it is completely furnished.”
The imposing building bears the allure of a Gothic cathedral, with exquisite constructive and decorative elements: the exposed brick façade, in several shades of red, the towers’ silhouettes, the entrance portal, the imposing windows, with carved stone elements in Neo-gothic fashion, the cornices, gargoyles, stained glass windows and pointed arches that mark the exterior and interior.
In his will, Ilie I. Niculescu-Dorobanțu donated the building to the Ion C. Brătianu Establishment, provided that it became the museum „Ilie, Tațiana and Ion Niculescu-Dorobanțu”. Between 1948-1957, the house hosted the canteen of the employees of the Minister of Industry. In 1956, following the pressures of the Direction of Historic Monuments, that considered the building „one of the most valuable in the Capital from an architectural point of view”, it was classified as part of the heritage of the Ministry of Culture and Education, undergoing consolidation works. Starting 1958, it hosted the Technical school of choreography, with 300 students.
Today, more than one century after its construction, the impressive Gothic Revival residence maintains its mysterious allure, fascinating the passers-by with its imposing dimensions and unique construction details, crafted by one of the most important Romanian architects.
Sources:
Simina Stan, „Reședința Ilie I. Niculescu-Dorobanțu, monument istoric”, în Revista Arhitectura, iulie 2015
Narcis Dorin Ion, ”Memoria unui oraș – București”, ed. Institutul Cultural Român, București, 2012
